
Design for nine in the morning, when the light is hardest.
The axis is set east–west so the sun travels the length of the plan instead of hitting it side-on. There are no downlights above any seating; after dark the room is washed from the walls, and the only fittings you see are three lamps at hand height.

Travertine, undyed linen, pale oak. Nothing with sheen.
Travertine is honed rather than polished so it holds hard light without glaring. Linen and bouclé are the only textiles, both undyed. There is no black anywhere in the composition — the darkest tone in the plan is the shadow itself.

One sightline, never interrupted.
Everything is placed parallel to the axis, and the anchor is a 3.6 metre stone table in a single piece. Nothing tall stands in the middle of the plan; the only interruption permitted is the planted court, which exists to soften the light rather than to divide the room.

Long, low and parallel — furniture that defers to the axis.
A 3.2 metre linen sofa, two bouclé chairs, twelve dining seats: all of it low enough to keep the sightline open. Objects are limited to one turned travertine bowl and the planting, which is treated as a material and not as decoration.














