
Design for February. Every surface gives light back; the windows stay bare.
Walls are lime-washed to a high-reflectance warm white and the floor is left pale, so daylight is recycled rather than absorbed. Curtains are omitted entirely. After dark, four warm sources sit low in the room and none of them touch the ceiling.

Pale oak, lime wash, undyed wool, paper cord. Four materials, no fifth.
Oak is soap-finished rather than lacquered so it stays matt and pale. Wool is undyed and used across every seat. Paper cord appears on chairs and stools, and its texture is the only pattern anywhere in the curation.

Eleven pieces of furniture, none of them large.
Nothing in the plan is oversized: a 2.2 metre sofa, a 1.9 metre table, one chair per purpose. The floor is left visible around everything, which is what makes a small northern room feel unhurried instead of sparse.

One sheepskin, one brass lamp, no objects.
There are no decorative objects in Nordhavn. The sheepskin on the lounge chair and the brass swing-arm lamp are the only two things in the curation that exist for pleasure rather than use, and both are used daily.














